My artistic practice centers on the creation of interactive sound sculptures, unconventional musical instruments and immersive sound installations that invite the audience and spectators to interact and to become co-creators creating “unscripted” soundscapes in the exhibition space . By doing so the audience becomes a part of the installation, the performance and plays an integral part in the music creation process.
‘My New Cage’
‘My New Cage’ is an interactive sound installation designed for collective improvisation. Composed of an array of unconventional instruments and interactive sound sculptures the work invites both artist and spectator to explore an intuitive sonic playground where music and sound are generated through physical interaction and tactile discovery.
The installation features a variety of custom-built elements that generates and manipulates sound through non-traditional means. These range from touch-sensitive fabric sculptures to hybrid electro-acoustic components that translate vibration into live audio textures. The sonic palette is further enriched by modified children’s music toys, acoustic chambers with resonating springs, strings, computer fans and an hybrid vibrating bow which sporadically self play the instrument to name a few. The back-bone of the installation is a “prepared” PVC didgeridoo which also doubles as an electro-acoustic “chickpea slide”.
During performances, the traditional boundary between performer and audience dissolves. As Liberman improvises, the audience is encouraged to interact with the installation, infusing the composition with unscripted sonic textures.
During the exhibition when the artist is not present this collaboration continues as the spectators are left to explore the interactive sound sculptures and discover their sonic possibilities. Through this shared process, the audience and spectators become an integral part of the installation, transforming the performance and exhibition space into a living, collaborative soundscape.
My new Cage is on display at the Musée Visionnaire in Zurich as a part of the ALL IN: ALL ART. ALL LIFE. group exhibition (12.11.2025 – 10.05.2026) – for live performanceses please see Musée Visionnaire agenda
‘MyCage’
‘MyCage’ was the final project of my studies at the Rietveld Academy in Amsterdam and was the result of several years of experimentation and development.
‘MyCage’ is an interactive sound installation and a “reactive” stage composed out of an array of self-made musical instruments, sound-making machines, and interactive elements that allow the generation and manipulation of sound as a result of physical interactions of the audience with the installation during the performance as well as by me — the performer.
Each prepared musical instrument within the installation takes a different approach, from hybrid DIY instruments combining multiple sound sources with a non-conventional way to modify them alongside acoustic self-made instruments and organic-looking textile objects with sensors embedded within them that react to any touch or vibration with unique sounds that appere to “get out of control” at times.
Various sound installations and performances
In my ongoing investigation, I have created numerous noise/music-making machines, sound installations, unusual musical instruments, sound experiments, performances, and writen a bachelor thesis on alternative means of creating music.
‘Storage Space Exhibitions’
‘Storage Space’ line of exhibitions was a series of 9 exhibitions I created and curated in the Heesterveld Creative Comunnity in Amsterdam.
‘Storage Space’ line of exhibitions focused mainly on creating group exhibitions in the context of so called “problematic” locations and neighbourhoods.
The nine Storage Space exhibitions (No. 1-9) were held in and around the storage spaces of the old Heesterveld building (block no. 4) in Bijlmer, Amsterdam Zuidoost.
The Bijlmer area was renowned in the past for its criminal activities, drugs and violence and these small cement storage spaces in the Bijlmer were used in the past by drug dealers as places to conduct their business or reside.
Converting the old cement storage spaces and corridors leading to them in to an exhibition space is to both comment on the “art world” conventions for exhibiting an art work in a space, mix low culture with an high form of culture and inspire the artists participating in the exhibition by confronting them with a non conventional space to exhibit their art. The participating artists in the Storage Space Exhibitions are an ever changing diverse group of artists and art students from different countries, mentalities and social status.
